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¿µ¾î°íÀü388 Á¶³Ê¼± ½ºÀ§ÇÁÆ® »ê¹®Áý¥µ(English Classics388 The Prose Works of Jonathan Swift, D.D. ? Volume 06 by Jon
¿µ¾î°íÀü388 Á¶³Ê¼± ½ºÀ§ÇÁÆ® »ê¹®Áý¥µ(English Classics388 The Prose Works of Jonathan Swift, D.D. ? Volume 06 by Jon
  • ÀúÀÚÁ¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift) Àú
  • ÃâÆÇ»çÅ׸¶¿©Çà½Å¹® TTN Theme Travel News Korea
  • ÃâÆÇÀÏ2022-01-16
  • µî·ÏÀÏ2022-09-26
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In 1714 Swift left England for Ireland, disappointed, distressed, and worn out with anxiety in the service of the Harley Ministry. On his installation as Dean of St. Patrick's he had been received in Dublin with jeering and derision. He had even been mocked at in his walks abroad. In 1720, however, he entered for the second time the field of active political polemics, and began with renewed energy the series of writings which not only placed him at the head and front of the political writers of the day, but secured for him a place in the affections of the people of Ireland?a place which has been kept sacred to him even to the present time.

1714³â¿¡ ½ºÀ§ÇÁÆ®´Â ÇÒ¸® »ç¿ª¿¡ ´ëÇÑ ºÀ»ç¿¡¼­ ½Ç¸ÁÇÏ°í ±«·Î¿öÇÏ¸ç ºÒ¾È¿¡ ÁöÃÄ ¿µ±¹À» ¶°³ª ¾ÆÀÏ·£µå·Î ÇâÇß½À´Ï´Ù. ¼¼ÀÎÆ® ÆÐÆ®¸¯ÀÇ ÇÐÀåÀ¸·Î ÃëÀÓÇßÀ» ¶§ ±×´Â ´õºí¸°¿¡¼­ Á¶·Õ°ú Á¶·ÕÀ» ¹Þ¾Ò½À´Ï´Ù. ÇØ¿Ü Çຸ¿¡¼­µµ Á¶·ÕÀ» ¹Þ±âµµ Çß´Ù. ±×·¯³ª 1720³â¿¡ ±×´Â µÎ ¹ø°·Î È°¹ßÇÑ Á¤Ä¡ ³íÀïÀÇ ºÐ¾ß¿¡ µé¾î°¬°í, ±×¸¦ ´ç´ëÀÇ Á¤Ä¡ ÀÛ°¡µéÀÇ ¸Ó¸®¿Í ¾ÕÀÚ¸®¿¡ ³õÀ» »Ó¸¸ ¾Æ´Ï¶ó ±×¸¦ À§ÇØ È®º¸ÇÑ ÀÏ·ÃÀÇ Àú¼úµéÀ» »õ·Î¿î ¿¡³ÊÁö·Î ½ÃÀÛÇß½À´Ï´Ù. ¾ÆÀÏ·£µå »ç¶÷µéÀÇ ¾ÖÁ¤ ¼Ó¿¡ ÀÚ¸® Àâ°í ÀÖÀ¸¸ç, ÇöÀç±îÁöµµ ±×¿¡°Ô ½Å¼ºÇÑ °÷À¸·Î ³²¾Æ ÀÖ½À´Ï´Ù.

A visitor to the city of Dublin desirous of finding his way to St. Patrick's Cathedral need but to ask for the Dean's Church, and he will be understood. There is only one Dean, and he wrote the "Drapier's Letters." The joy of the people of Dublin on the withdrawal of Wood's Patent found such permanent expression, that it has descended as oral tradition, and what was omitted from the records of Parliament and the proceedings of Clubs and Associations founded in the Drapier's honour, has been embalmed in the hearts of the people, whose love he won, and whose homage it was ever his pride to accept.

¼¼ÀÎÆ® ÆÐÆ®¸¯ ´ë¼º´çÀ¸·Î °¡´Â ±æÀ» ã°íÀÚ ÇÏ´Â ´õºí¸° ½ÃÀÇ ¹æ¹®ÀÚ´Â µò ±³È¸¸¦ ¿äûÇϱ⸸ ÇÏ¸é µË´Ï´Ù. ±×·¯¸é ±×´Â ÀÌÇØÇÒ ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù. ´Ü ÇÑ ¸íÀÇ ÇÐÀåÀÌ ÀÖÀ¸¸ç ±×´Â "µå·¹ÀÌÇǾîÀÇ ÆíÁö"¸¦ ½è½À´Ï´Ù. WoodÀÇ Æ¯Çã°¡ öȸµÈ °Í¿¡ ´ëÇÑ ´õºí¸° »ç¶÷µéÀÇ ±â»ÝÀº ±×°ÍÀÌ ±¸Àü ÀüÅëÀ¸·Î °è½ÂµÇ¾ú°í, ÀÇȸ ±â·Ï°ú DrapierÀÇ ¸í¿¹·Î ¼³¸³µÈ Ŭ·´ ¹× ÇùȸÀÇ ÀýÂ÷¿¡¼­ »ý·«µÈ ¿µ±¸ÀûÀΠǥÇöÀ» ¹ß°ßÇß½À´Ï´Ù. »ç¶÷µéÀÇ ¸¶À½¿¡ ¹æºÎ ó¸®µÇ¾î »ç¶ûÀ» ¾ò¾ú°í Á¸°æÀ» Ç¥ÇÏ´Â °ÍÀÌ Ç×»ó ±×ÀÇ ÀÚÁ¸½ÉÀ̾ú½À´Ï´Ù.

Had Swift been an Irishman by nature as he was by birth, it might have been otherwise; but Swift was an Irishman by accident, and only became an Irish patriot by reason of the humanity in him which found indignant and permanent expression against oppression. Swift's indignation against the selfish hypocrisy of his fellow-men was the cry from the pain which the sight of man's inhumanity to man inflicted on his sensitive and truth-loving nature. The folly and baseness of his fellow-creatures stung him, as he once wrote to Pope, "to perfect rage and resentment." Turn where he would, he found either the knave as the slave driver, or the slave as a fool, and the latter became even a willing sacrifice. His indignation at the one was hardly greater than his contempt for the other, and his different feelings found trenchant expression in such writings as the "Drapier's Letters," the "Modest Proposal," and "Gulliver's Travels.¡°

Swift°¡ ž ¶§¿Í °°ÀÌ Å¸°í³­ ¾ÆÀÏ·£µåÀÎÀ̾ú´Ù¸é ±×·¸Áö ¾Ê¾ÒÀ» °ÍÀÔ´Ï´Ù. ±×·¯³ª ½ºÀ§ÇÁÆ®´Â ¿ì¿¬È÷ ¾ÆÀÏ·£µåÀÎÀÌ µÇ¾ú°í ¾ï¾Ð¿¡ ´ëÇÑ ºÐ°³ÇÏ°í ¿µ±¸ÀûÀΠǥÇöÀ» ¹ß°ßÇÑ ±× ¾È¿¡ ÀÖ´Â Àΰ£¼º ¶§¹®¿¡ ¾ÆÀÏ·£µå ¾Ö±¹ÀÚ°¡ µÇ¾ú½À´Ï´Ù. µ¿·á Àΰ£ÀÇ À̱âÀûÀÎ À§¼±¿¡ ´ëÇÑ ½ºÀ§ÇÁÆ®ÀÇ ºÐ³ë´Â Àΰ£¿¡ ´ëÇÑ Àΰ£ÀÇ ºñÀΰ£ÀûÀÎ ¸ð½ÀÀÌ ¹Î°¨ÇÏ°í Áø½ÇÀ» »ç¶ûÇÏ´Â º»¼º¿¡ °¡ÇÑ °íÅëÀ¸·ÎºÎÅÍÀÇ ¿ÜħÀ̾ú½À´Ï´Ù. ±×ÀÇ µ¿·á »ý¹°µéÀÇ ¾î¸®¼®À½°ú õ¹ÚÇÔÀº ±×°¡ Æ÷ÇÁ¿¡°Ô ÇÑ ¹ø ¾´ °Íó·³ "ºÐ³ë¿Í ºÐ°³¸¦ ¿Ïº®ÇÏ°Ô Çϱâ À§ÇØ" ±×¸¦ Âñ·¶½À´Ï´Ù. ±×°¡ ¿øÇÏ´Â °÷À¸·Î µ¹¾Æ °¡¸é ³ë¿¹ ¿îÀü»ç·Î °Ç´ÞÀ» ¹ß°ßÇϰųª ¹Ùº¸·Î ³ë¿¹¸¦ ã¾ÒÀ¸¸ç ÈÄÀÚ´Â ÀÚ¹ßÀûÀÎ Èñ»ý¹°À̵Ǿú½À´Ï´Ù. Çϳª¿¡ ´ëÇÑ ±×ÀÇ ºÐ³ë´Â ´Ù¸¥ Çϳª¿¡ ´ëÇÑ °æ¸êº¸´Ù ´õ Å©Áö ¾Ê¾ÒÀ¸¸ç, ±×ÀÇ ´Ù¸¥ °¨Á¤Àº "Drapier's Letters", "Modest Proposal", "Gulliver's Travels"¿Í °°Àº ±Û¿¡¼­ ³¯Ä«·Î¿î Ç¥ÇöÀ» ¹ß°ßÇß½À´Ï´Ù.

In the composition of the "Letters" Swift had set himself a task peculiarly fitting to his genius. Those qualities of mind which enabled him to enter into the habits of the lives of footmen, servants, and lackeys found an even more congenial freedom of play here. His knowledge of human nature was so profound that he instinctively touched the right keys, playing on the passions of the common people with a deftness far surpassing in effect the acquired skill of the mere master of oratory. He ordered his arguments and framed their language, so that his readers responded with almost passionate enthusiasm to the call he made upon them.

"ÆíÁö"ÀÇ ±¸¼º¿¡¼­ ½ºÀ§ÇÁÆ®´Â ÀÚ½ÅÀÇ ÃµÀ缺¿¡ ƯÈ÷ ÀûÇÕÇÑ ÀÛ¾÷À» ¼³Á¤Çß½À´Ï´Ù. ÇÏÀÎ, ÇÏÀÎ, ÇÏÀεéÀÇ »ýÈ° ½À°ü¿¡ µé¾î°¥ ¼ö ÀÖ°Ô ÇØ ÁØ ¸¶À½ÀÇ Æ¯¼ºÀº ¿©±â¿¡¼­ ÈξÀ ´õ ¸¶À½¿¡ µå´Â ³îÀÌÀÇ ÀÚÀ¯¸¦ ¹ß°ßÇß½À´Ï´Ù. Àΰ£ÀÇ º»¼º¿¡ ´ëÇÑ ±×ÀÇ Áö½ÄÀº ³Ê¹«³ª ½É¿ÀÇÏ¿© º»´ÉÀûÀ¸·Î ¿Ã¹Ù¸¥ °Ç¹ÝÀ» ¸¸Á³°í, ¿õº¯¼úÀÇ ´ë°¡°¡ ½ÀµæÇÑ ±â¼úÀ» »ç½Ç»ó ´É°¡ÇÏ´Â ¼Ø¾¾·Î ¼­¹ÎÀÇ Á¤¿­À» ¿¬ÁÖÇß½À´Ï´Ù. ±×´Â ÀÚ½ÅÀÇ ÁÖÀåÀ» Á¤¸®ÇÏ°í ¾ð¾î¸¦ ±¸¼ºÇÏ¿© µ¶ÀÚµéÀÌ ±×°¡ ºÎ¸§¿¡ °ÅÀÇ ¿­±¤ÀûÀ¸·Î ÀÀ´äÇϵµ·Ï Çß½À´Ï´Ù.

He had already laid bare their grievances caused by the selfish legislation of the English Parliament, which had ruined Irish manufactures; he had written grimly of the iniquitous laws which had destroyed the woollen trade of the country; he had not forgotten the condition of the people as he saw it on his journeys from Dublin to Cork?a condition which he was later to reveal in the most terrible of his satirical tracts?and he realized with almost personal anguish the degradation of the people brought about by the rapacity and selfishness of a class which governed with no thought of ultimate consequences, and with no apparent understanding of what justice implied. It was left for him to precipitate his private opinion and public spirit in such form as would arouse the nation to a sense of self-respect, if not to a pitch of resentment. The "Drapier's Letters" was the reagent that accomplished both.

±×´Â ÀÌ¹Ì ¾ÆÀÏ·£µå Á¦Á¶¾÷À» ¸ÁÄ£ ¿µ±¹ ÀÇȸÀÇ À̱âÀûÀÎ ÀÔ¹ýÀ¸·Î ÀÎÇØ ¾ß±âµÈ ºÒ¸¸À» Æø·ÎÇß½À´Ï´Ù. ±×´Â ±× ³ª¶óÀÇ ¸ðÁ÷ ¹«¿ªÀ» Æı«ÇÑ »ç¾ÇÇÑ ¹ý¿¡ ´ëÇØ ³ÃȤÇÏ°Ô ½è½À´Ï´Ù. ±×´Â ´õºí¸°¿¡¼­ ÄÚÅ©·Î °¡´Â ¿©Çà¿¡¼­ »ç¶÷µéÀÇ »óŸ¦ ÀØÀº ÀûÀÌ ¾ø¾ú½À´Ï´Ù. ±× »óÅ´ ³ªÁß¿¡ ±×ÀÇ °¡Àå ²ûÂïÇÑ Ç³ÀÚ Ã¥¿¡¼­ µå·¯³µ½À´Ï´Ù. ±Ã±ØÀûÀÎ °á°ú¸¦ »ý°¢ÇÏÁö ¾Ê°í Á¤ÀÇ°¡ ÇÔÃàÇÏ´Â ¹Ù¿¡ ´ëÇÑ ¸í¹éÇÑ ÀÌÇØ ¾øÀÌ ÅëÄ¡ÇÏ´Â °è±ÞÀÇ Å½¿å°ú À̱â½É¿¡ ÀÇÇØ ÃÊ·¡µÇ¾ú½À´Ï´Ù. ±¹¹ÎÀÇ ÀÚ±à½ÉÀ» ºÒ·¯ÀÏÀ¸Å³ Á¤µµÀÇ ºÐ°³´Â ¾Æ´Ï´õ¶óµµ »çÀûÀÎ °ßÇØ¿Í °øÀû Á¤½ÅÀ» Ã˹߽ÃÅ°´Â °ÍÀº ±×¿¡°Ô ¸Ã°ÜÁ³½À´Ï´Ù. "µå·¹ÀÌÇǾîÀÇ ÆíÁö"´Â ÀÌ µÎ °¡Áö¸¦ ¸ðµÎ ´Þ¼ºÇÑ ½Ã¾àÀ̾ú½À´Ï´Ù.

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-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±À» Àоî¾ß Çϴ 7°¡Áö ÀÌÀ¯
21°¡Áö Å°¿öµå·Î Àд Á¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift) by Á¶¸íÈ­ ÆíÁýÀå
01. Á¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift)´Â ¿µ±¹ÀÎ? ¾ÆÀÏ·£µåÀÎ!
02. Á¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift)´Â ¼ºÁ÷ÀÚ?!
03. ÀÚ½ÅÀÇ ºñ¹®À», º»ÀÎÀÌ Á÷Á¢ ¾´ ±«Â¥
04. Ç³ÀÚ Á» Çϴµ¥? ½ºÀ§ÇÁÆ®ÀÎ(Swiftian)!
05. È­¼º(Mars)¿¡ ±×ÀÇ À̸§À» µý ºÐÈ­±¸°¡?! ½ºÀ§ÇÁÆ® ºÐÈ­±¸(Swift Crater)
06. ¾ÆÀÏ·£µå Æ®¸²(Trim)ÀÇ ½ºÀ§ÇÁÆ® °Å¸®(Swift's Street)
07. Åë À̾߱â¿Í ¸¶Æ¾ÀÇ ¿ª»ç(The Tale of a Tub and The History of Martin)(1704)
08. ¾ÆÀÌÀÛ ºñÄ¿½ºÅ¸ÇÁ(Isaac Bickerstaff)(1708)
09. µå·¹ÇǾîÀÇ ÆíÁö(Drapier's Letters)(1724~1725)
10. °â¼ÕÇÑ Á¦¾È(A Modest Proposal)(1729)
11. °É¸®¹ö ¿©Çà±â(Gulliver's Travels into Several Remote Nations of the World)(1726)
11-1. ¼¼»ó¿¡¼­ °¡Àå À§ÇèÇÑ ¼Ò¼³!
11-2. ¸£¹«¿¤ °É¸®¹ö(Lemuel Gulliver)´Â Á¶³Ê¼± ½ºÀ§ÇÁÆ® º»ÀÎ?!
11-3. °É¸é °É¸®´Â °É¸®¹ö?! Çö´ë PCS CF(1997)
11-4. °É¸®¹ö ¿©Çà±â¿¡ Çѱ¹ÇØ(Sea of Corea)°¡?!
11-5. ¼ÒÀα¹ ¸±¸®ÆÛÆ®(Lilliput)´Â ¿µ±¹, ºí·¹Çª½ºÄí(Blefuscu)´Â ÇÁ¶û½º?!
11-6. Ãµ°øÀÇ ¼¶ ¶óǻŸ(Laputa)´Â ¿µ±¹, ¹ß´Ï¹Ù¸£ºñ(Balnibarbi)´Â ¾ÆÀÏ·£µå?!
11-7. ¹Ì¾ßÀÚÅ° ÇϾ߿À °¨µ¶ÀÇ ¾Ö´Ï¸ÞÀ̼Ǡõ°øÀÇ ¼¶ ¶óǻŸ(ô¸ÍöªÎàò«é«Ô«å«¿)
11-8. Æ÷ÅлçÀÌÆ® ¾ßÈÄ(Yahoo!) & À±ÅÂÈ£ÀÇ ¸¸È­ ¾ßÈÄ(YAHOO)(1998~2003)
12. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Á¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift)
13. Á¶³Ê¼± ½ºÀ§ÇÁÆ®(Jonathan Swift)ÀÇ ¾î·Ï(Quotes)(30)
Á¶³Ê¼± ½ºÀ§ÇÁÆ® »ê¹®Áý¥µ(The Prose Works of Jonathan Swift, D.D. ? Volume 06 by Jonathan Swift)
The Prose Works Of Jonathan Swift(15)
Introduction
Letter I. To The Shop-Keepers, Tradesmen, Farmers, And Common-People Of Ireland.
Letter II. To Mr. Harding The Printer.
The Report Of The Committee Of The Lords Of His Majesty's Most Honourable Privy-Council, In Relation To Mr. Wood's Halfpence And Farthings, Etc. At The Council Chamber At Whitehall, The 24th Day
Letter III. To The Nobility And Gentry Of The Kingdom Of Ireland.
Letter IV. A Letter To The Whole People Of Ireland.
Seasonable Advice To The Grand Jury, Concerning The Bill Preparing Against The Printer Of The Drapier's Fourth Letter.
Letter V. A Letter To The Lord Chancellor Middleton.
Advertisement To The Reader
Letter V. A Letter To The Lord Chancellor Middleton.[5]
Letter VI. A Letter To The Right Honourable The Lord Viscount Molesworth.
Directions To The Printer.
Letter VI. A Letter To The Right Honourable The Lord Viscount Molesworth, At His House At Brackdenstown Near Swords.
Letter VII. An Humble Address To Both Houses Of Parliament. By M.B. Drapier.
Letter VII. An Humble Address To Both Houses Of Parliament.
Appendixes(11)
Appendix I. Addresses To The King
Appendix II. Report Of The Assay On Wood's Coinage, Made By Sir Isaac Newton, Edward Southwell, Esq., And Thomas Scroope, Esq.
Appendix III. Tom Punsibi's Dream
Appendix IV. A Letter From A Friend To The Right Honourable ???
A Second Letter From A Friend To The Right Honourable ???
Appendix V. The Presentment Of The Grand Jury Of The County Of The City Of Dublin.
Appendix VI. Proclamation Against The Drapier.
Appendix VII.
Appendix VIII.
Ireland's Case Humbly Presented To The Honourable The Knights, Citizens, And Burgesses In Parliament Assembled
Appendix IX. Descriptions Of The Various Specimens Of Wood's Coins
Index.
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